Lecture with Dr. Hester Baer: Disorganizing Genre in Maren Ade’s Screwball Tragedy Toni Erdmann
This talk investigates the relationship between changing socioeconomic contexts and the emergence of new aesthetic forms in contemporary German cinema, focusing particularly on the critically acclaimed box-office hit Toni Erdmann (2016), written and directed by Maren Ade. Dr. Baer contends that Ade's film is a landmark in the cinematic representation of neoliberalism. In its narrative, the film strives to depict the contemporary economy in all of its facets and employs a father-daughter generational narrative to track the transformations of ordinary life in the present. More significantly, Ade’s film intervenes into film form and disorganizes conventions of the comedy genre, employing sight gags in new ways in order to reveal the clashing realities of its characters and the incommensurabilities of life in global capitalism. As she suggests, Toni Erdmann is a "screwball tragedy" reflecting on a formal level the insecurity of the present that forms the matrix of the narrative. In considering how genre and aesthetic form help make aspects of the neoliberal present visible, her analysis attends particularly to Toni Erdmann’s sustained focus on the way economic transactions shape and are shaped by normative conceptions of nation, ethnicity, race, class, gender, and sexuality today.
Hester Baer is Associate Professor and Head of Germanic Studies at the University of Maryland, where she also serves as a core faculty member in the Film Studies and Comparative Literature programs. Baer has published widely on gender and sexuality in film and media; historical and contemporary feminisms; and German literature and culture. She is the author of Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language (2009) and the co-editor of German Women’s Writing in the 21st Century (2015). She is a member of the transnational research collaborative “Technologies of Popfeminist Activism,” and a former president of the Coalition of Women in German. Baer is currently completing a book, German Cinema in the Age of Neoliberalism, 1980-2010, and she is the co-editor of a special issue of the feminist film journal Camera Obscura on “German Women’s Film Authorship in Neoliberal Times,” which will appear in Fall 2018.
Tuesday, March 13 at 5:00pm to 6:30pm
Edward B. Bunn, S.J. Intercultural Center, 462
37th and O St., N.W., Washington